Hace ya un buen tiempo un amigo me mandó por mail el link hacia un "generador de textos postmodernos". La verdad que el mismo muestra muy bien el tipo de prosa que domina buena parte del ámbito "académico", especialmente de las (mal llamadas) "ciencias sociales".
Abajo pueden hallar un ejemplo.
Deconstructing Bataille: Textual objectivism in the works of Stone
R. Ludwig HubbardDepartment of Politics, Massachusetts Institute of Technology
1. Consensuses of genre
The primary theme of Finnis’s[1] model of neocultural theory is the bridge between reality and society. Therefore, Sontag uses the term ‘Marxist capitalism’ to denote not, in fact, desublimation, but subdesublimation.
Baudrillard’s analysis of the dialectic paradigm of context suggests that culture is intrinsically meaningless. Thus, the subject is contextualised into a that includes art as a totality.
Several theories concerning Marxist capitalism may be discovered. It could be said that Hanfkopf[2] holds that we have to choose between textual objectivism and neocapitalist appropriation.
2. Stone and Marxist capitalism
In the works of Stone, a predominant concept is the concept of dialectic reality. The subject is interpolated into a that includes consciousness as a whole. However, if textual objectivism holds, the works of Stone are modernistic.
“Society is responsible for class divisions,” says Bataille; however, according to Hamburger[3] , it is not so much society that is responsible for class divisions, but rather the meaninglessness, and thus the rubicon, of society. The main theme of the works of Eco is the role of the participant as poet. Thus, Baudrillard suggests the use of Marxist capitalism to attack capitalism.
An abundance of discourses concerning the collapse, and subsequent paradigm, of postcultural sexual identity exist. But the subject is contextualised into a that includes art as a reality.
The premise of textual objectivism states that truth has significance, given that sexuality is equal to truth. However, the subject is interpolated into a that includes language as a totality.
The example of textual objectivism depicted in Eco’s The Limits of Interpretation (Advances in Semiotics) emerges again in The Aesthetics of Thomas Aquinas. It could be said that many theories concerning Marxist capitalism may be found.
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1. Finnis, K. F. ed. (1988) Constructivist theory and textual objectivism. And/Or Press
2. Hanfkopf, U. B. M. (1977) The Dialectic of Culture: Textual objectivism in the works of Gaiman. University of Massachusetts Press
3. Hamburger, I. N. ed. (1986) Constructivist theory in the works of Eco. O’Reilly & Associates
Abajo pueden hallar un ejemplo.
Deconstructing Bataille: Textual objectivism in the works of Stone
R. Ludwig HubbardDepartment of Politics, Massachusetts Institute of Technology
1. Consensuses of genre
The primary theme of Finnis’s[1] model of neocultural theory is the bridge between reality and society. Therefore, Sontag uses the term ‘Marxist capitalism’ to denote not, in fact, desublimation, but subdesublimation.
Baudrillard’s analysis of the dialectic paradigm of context suggests that culture is intrinsically meaningless. Thus, the subject is contextualised into a that includes art as a totality.
Several theories concerning Marxist capitalism may be discovered. It could be said that Hanfkopf[2] holds that we have to choose between textual objectivism and neocapitalist appropriation.
2. Stone and Marxist capitalism
In the works of Stone, a predominant concept is the concept of dialectic reality. The subject is interpolated into a that includes consciousness as a whole. However, if textual objectivism holds, the works of Stone are modernistic.
“Society is responsible for class divisions,” says Bataille; however, according to Hamburger[3] , it is not so much society that is responsible for class divisions, but rather the meaninglessness, and thus the rubicon, of society. The main theme of the works of Eco is the role of the participant as poet. Thus, Baudrillard suggests the use of Marxist capitalism to attack capitalism.
An abundance of discourses concerning the collapse, and subsequent paradigm, of postcultural sexual identity exist. But the subject is contextualised into a that includes art as a reality.
The premise of textual objectivism states that truth has significance, given that sexuality is equal to truth. However, the subject is interpolated into a that includes language as a totality.
The example of textual objectivism depicted in Eco’s The Limits of Interpretation (Advances in Semiotics) emerges again in The Aesthetics of Thomas Aquinas. It could be said that many theories concerning Marxist capitalism may be found.
--------------------------------------------------------------------------------
1. Finnis, K. F. ed. (1988) Constructivist theory and textual objectivism. And/Or Press
2. Hanfkopf, U. B. M. (1977) The Dialectic of Culture: Textual objectivism in the works of Gaiman. University of Massachusetts Press
3. Hamburger, I. N. ed. (1986) Constructivist theory in the works of Eco. O’Reilly & Associates
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